Philippine magic: nation and nationalism in three contemporary magic realist novels

Date

4-2010

Degree

Bachelor of Arts in Communication Arts

College

College of Arts and Sciences (CAS)

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Abstract

There is a growing trend among Filipino writers in English to incorporate magical realism, once a predominantly Latin American genre, into their work. Magical realism, however, is a genre that recent groups of Latin American writers such as those from the McOndo movement are turning away from. In response to this situation, this paper aims to differentiate the Filipino use of magical realism from the Latin American’s current impression of it. This is done through an analysis of three recent works: The Sky Over Dimas by Vicente Garcia Groyon, Banana Heart Summer by Merlinda Bobis and Salamanca by Dean Alfar, specifically on how they depict the nation and nationalism. This is done by first examining the techniques and elements of magical realism utilized in each of the novels, and second, using how each of the novels is able to present the nation and problematize the need for nationalism. The results show that each of the three novels is able to present different aspects on the issues of nation and nationalism. The Sky Over Dimas projects the nation as a psychic anchor, with the threat of madness being the consequence of being distanced from it. Banana Heart Summer compares nationalism with family ties, specifically one between daughter and mother. Lastly, Salamanca associates the affection felt by a nationalist towards his nation with a romantic relationship. In the process of depicting the nation and nationalism in different ways, these novels also serve to differentiate Filipino magical realism from Latin American magical realism.

Language

English

Document Type

Thesis

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