Issue Date

10-2024

Abstract

Joseph Scalice’s The Drama of Dictatorship: Martial Law and the Communist Parties of the Philippines (2023) offers arguably one of the most definitive Trotskyist critiques of the historical legacy of the Philippine communist movement. Through extensive archival research, Scalice interprets the split between the Partido Komunista ng Pilipinas (PKP) and the Communist Party of the Philippines (CPP) as a local expression of the Sino-Soviet split, arguing that both parties acted as class collaborators by aligning with rival factions of the Filipino elite. This review article critically engages with Scalice’s historical claims from an anti-imperialist, Marxist, and non-sectarian perspective. While his Trotskyist approach offers a significant challenge to official state and insurgent narratives, it also skews his historiography, reducing the complex and contested history of revolutionary movements in the Philippines to a narrative centered overwhelmingly on Stalinism.

Source or Periodical Title

UP Los Baños Journal

Volume

22

Issue

2

Page

51-79

Document Type

Article

College

College of Arts and Sciences (CAS)

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